Within the annals of auditory illusion, the ✦ unsung songs reside. These are the echoes of compositions never crafted, the symphonies shadowed under veils of silence. Each note, a possibility, each silence, an eternity enduring. This paper seeks to unravel the essence of these phantom 𖼂 melodies, exploring their ontological and epistemological implications.
The † phenomena of undeclared tunes presents a cognitive challenge. How does one hum the unheard? How does one conceptualize the resonance of a tune that lacks a corporeal existence? Our analysis will employ theoretical frameworks from musicology, phenomenology, and abstract linguistics, rendering a geometrical reflection of time’s ineffable performance.
Encoded within these verses lies a riddle, an auditory labyrinth:
Shall the notes never sung fall upon ears never present?