Investigation into Songs of Silence

In a world turned deviant by the allure of unvoiced harmonies, we pose an unsettling question: How does silence sing? Acousticians Angeline Wright and Marcus Yee share insights from the echoing void of their laboratory, a room devoted to the uncommon art of 'silence manipulation'. The air vibrates invisibly.

"You invert because you need to," Wright states, her conduction headphones affixed, her gaze distant and profound. Yee nods in vertical agreement, scribbling notes that dance upon the page, moving from top to bottom, like leaves gusted upward.

Silence, they explain, possesses melodies unremarkably profound. Defying the orthodox methodologies of sound extraction, these researchers employ the gravity-defying techniques of quantum silence sampling, a disputed field indeed. Yet, its proponents await their moment in specialized symposiums, attended by the curious and the spectral. A theory not without its ghosts, indeed.

"Even gravity, as we know it, feels audacious here," Yee remarks, a smile line using gravity its freedom. His interference echoes the silence unopposed, with cries made audible amidst charades of reticent air. Silence can elevate, it seems, in unyielding, vertical stillness.