The phenomenology of sound perception when reversed presents a unique tapestry of cognitive dissonance. In musical theory, a melody reversed unfolds layers of tonal deception and harmonic reconfiguration.
The analytical framework proposed herein examines reverse melodies through the lens of psychoacoustics, addressing psychoacoustic spatial perception (PSP) in juxtaposition with auditory time inversion.
Discover the Geometry of Sound
Auditory Time: A Theoretical Perspective