In the realm of forgotten things lies the silhouette—an outline, a suggestion of the memory that once inhabited space and light. Despite their apparent simplicity, silhouettes manifest as cryptograms of the obscure wherein lies a confluence of memory and amnesia.
They reside on the periphery of vision, resembling a dream half-remembered, the residues of presence rather than full representations. As such, silhouettes serve as fierce advocates for the Unseen and the Unheard, a narrative inversely told through shadows.
Within the ancient annals of architecture is the concept of "forgotten silhouettes," where secret algorithms once inscribed within stone now remain faint and eroded. A dissection of light can reveal a past that doesn't exist—shapes unmoving, echoed in forgotten space.
This theorem underscored the advent of the Shadow Games—contests of architectural light manipulation where pre-worldly structures emerged ephemeral yet informed. The legacy of these realities—contours envisioned but never fully etched—forms the dada-like imagery of silhouette theory.